The team get a mention on page 106 of May’s Inside Kent Magazine, which is nice. The relevant paragraph says…
To add to the charm of the castle, there are a number of volunteers [sic], dressed in era-appropriate garb, who will inform you of the life within a busy castle and tell tales of many interesting things that would have occurred within. I was surprised at how these colourful characters added such significant depth to the overall experience.
I particularly like that last sentence. I add the [sic] as the team has a core of staff live interpreters working in conjunction with volunteer live interpreters.
The team is working hard on presenting our ‘May Games’ programme of presentations this month. We’re also preparing next month’s programme which will consist of some ‘Untold Stories’.
It’s been a hard few months building the new team and trying out new ideas but we’re learning a lot and, I hope, interpreting the castle imaginatively and entertainingly. I look forward to having a bit of time to reflect on it all.
The live interpretation team have received a review in Onderox Magazine (in Flemish). I’m not quite sure how significant Onderox is, but it’s nice to be international.
Google translate renders the section on Bodiam as…
The medieval castle
For a portion of history we pull back inland. Bodiam Castle, in a small village, dating back to the Middle Ages, was built by Edward Dalyngrigge, a wealthy soldier. He constructed it as a residence for his family, but also as a defence against predators. The outside walls still look as they did, but once inside you will notice that only a few of the rooms are left. That is more than compensated for by theatre pieces that actors [sic] stage here daily. With the ringing of a bell, the visitors are invited to sit and see – of course in English – a scene from the life of several hundred years ago. Children from a primary school visit and watch with fascination. Since 1926 Bodiam Castle is part of the National Trust, which ensures the continued conservation and keep it accessible to the public. After your visit to the castle, you can take a walk in the estate and relax in the Wharfside Tea Room.
My work as a live interpreter at Bodiam Castle was mentioned in an article in Sussex Life magazine recently.
In other news the new outfit for Sir Edward Dallingridge has arrived (see left) and I’ve tried it out on a couple of occasions. It is a magnificent piece of work by Black Swan Designs. We now need to find accessories and shoes that will do it justice.
It’s been an extraordinarily busy last few months – hence the lack of recent posts. I’ll write more if things quieten down.
I’m planning to publish the script of my 2005 play Upside Down and Back to Front as a book in the near future. I’ve sent off for a proof copy and this is the cover I’m thinking of using.
The play tells the story of a photographer travelling around Worcestershire in 1913 and the present-day story of a batch of pictures being found in an attic. It has loads of characters, which means the cast of three have to work really hard!
The play was commissioned and produced by artworcs at the Number 8 Community Arts Centre in Pershore. It was fun to do.
The cover image features my Gran in the hop yards when she was a girl.
More news on this soon.
After the ‘St Jude’s Day’ storm came the ‘not quite stormy enough to be named’ storm on the following Sunday. Apart from scaring me silly while driving home it didn’t have much of a lasting effect. However, these things must be documented…
It’s been a tough couple of days at work.
At the weekend Bodiam ran an All Souls evening event called The Red Lady – a kind of adventure game / theatre piece. I was the audience’s guide as they strove to solve a series of riddles. It was great fun and wonderful to be working in the castle after dark.
The Sunday night late show was a pretty damp affair, though the worst of the wind and rain was only really winding up as the show finished. It was a pretty frightening drive home.
A great deal of credit to producer Laura, writer Simon, the cast (including the Heathcliff Heroics contingent) and the guys from the Premises team who set up the lights to make it possible. Do look out to see if the event is repeated in Bodiam’s 2014 calendar.
A visitor to the castle – Jim Barker – sent me some pictures of me in action as William the Forester. I have very few pictures of me at work and I really like these. These pictures are displayed with Jim’s permission. Click on an image to see the gallery.
Bodiam Castle Bits is a series of posts looking at details of the castle that may have passed you by. Bodiam Castle is a NT property in East Sussex, England.
This post considers the main gatehouse
Apologies – It has been a long time since the last post but the winter season at work will allow a bit more time to re-engage with blogging, though probably not as regularly as before.
During the summer I managed to buy a couple of eighteenth century prints of the castle from eBay. This one shows the castle courtyard looking north towards the main gatehouse.
The seller described it as “A plate taken from Francis Grose’s Antiquities of England and Wales. London Printed for Hooper & Wigstead, 212 High Holborn facing Southampton Street, Bloomsbury Square. Published 27th May 1785 by S Hooper”. This would be the era of Webster ownership. I suspect the original image dates from a few years earlier.
It’s a good impression of the castle – fascinating to see the trees, bushes and ivy which were only eventually cleared by Lord Curzon after 1917. The earth seems to pile up against the wall on the left (west). The reason I’m interested in the image, however, is its depiction of the gatehouse. I know that it is not a photograph and cannot be read as fact, but it is not just an artist’s impression either. At the very least it begs some questions.
The gatehouse today is recognisably the same building…
The crenelations have been restored and a couple of chimney pots have gone but the images (taken from slightly different angles) line up pretty well.
There are a couple of differences, though, that are worth a second look. Here’s a close up from the 1785 engraving…
The proportions inside the arch seem a bit awry but the rest is pretty good.
The gatehouse’s stair turrets are rather odd. The main turret which goes from ground level to the summit is set in the first (further) bay and is largely the same in both images. The shorter turret butts up against the main turret but only goes to the first level above the second (nearer) bay. The second bay was added late in the building process and is of a poorer quality of construction. The second stair turret seems to be a late addition to the design and blocks some of the lights to the main turret necessitating the construction of through lights.
The photograph shows that this second turret is now ruined. The first few steps are visible (one of only two staircases in the castle that turn anticlockwise) but are cut in half by a large buttress (19th or early 20th century?) added to support the second bay.
The 1785 engraving shows this turret still intact. It has a flat top and only goes as far as the platform above the second bay. No door is visible from the courtyard. The remaining stairs do not start until a few feet above ground level so it might be that access was from the chambers on the ground floor of the east side of the north range.
There are no lights shown in the face of the turret, so it is not clear how daylight could have got to the through light in the photograph.
The other major difference between the two images is a large buttress projecting from the left hand side of the arch into the courtyard. I can see no evidence of this in the photograph or in situ. Was this an early repair since removed?
Of course, all of these ‘differences’ may be the result of the engraver misinterpreting or simplifying an original watercolour made by an artist who felt at liberty to ‘improve’ the original to make it more picturesque.
I hope to find time this winter to look through some archive photographs of the castle taken in the early twentieth century. Maybe there will be a few more clues there.
Previously on Bodiam Castle Bits…
This summer has been very busy indeed. During one period I worked 46 days in a row with only one day off. I’m going to be taking it a bit easier in September.
I have started working as a freelance live interpreter in addition to my ‘day job’ at Bodiam Castle. I applied to top live interpretation Past Pleasures at the start of the year and, after a series of interviews and workshops, was added to their large team of live interpreters.
At Dover I’ve been Ranulf de Glanvill, Chief Justiciar of Henry II, William de Hommet, Constable of the King’s Household and Wulfheard the Saxon armourer.
At the Banqueting House I was one of PP’s Inigo Jones in a project about the Stuart masques which involved performing in front of a 7 metre high animation screen. It was a bit nerve-racking at first, but by the last of my shifts I was really enjoying it. It has been great to work as part of a team of talented live interpreters and at some beautiful sites.
Of course, as soon as I found extra work an opportunity came up at Bodiam to work extra hours there. I even got to ‘be’ Sir Edward Dallingridge for a couple of days. After two lean years it has been great to be earning enough to get by on again, but I don’t think I could work another summer like this.
My contributions to the Century Plays were my first professional commissions. The whole project was a delight to be involved in. I enjoyed working as part of a writing team. The size of the company (7 professional actors and 25 community actors) set all sorts of interesting challenges to be sorted out.
The plays were commissioned by Worcester Theatre Company in association with Swan Playwrights. The first performances were at Worcester Swan Theatre on 7-28 April 2001. Jenny Stephens and Kim Greengrass directed.